AJE’s EDWINA FOREST & Adrian Norris
What is your favourite piece from this collection? I’m in love with the Concept Dress, it feels so perfectly Aje to me.
AN: The Concept Dress is definitely a new love. Also, the denim Framework Shirt and Short in rust is effortlessly cool.
EF: The billowing ‘Encircled Maxi Dress’ which was shown in room one, is so exquisite. The lightweight tiers evoke a sense of movement and softness.
FAST FAVOURITES
JR: Place?
EF: Our secluded piece of land in the southern tablelands called ‘wylde’. It revitalises my soul. And Paris, our second home.
AN: The Greek islands.
JR: Colour?
EF: Black/white. Technically shades not colours but I love that both provide a black canvas for design details to take prominence. Sometimes when strong colour and exaggerated design details collide, the result is a little overwhelming.
AN: White
JR: Muse?
EF: The Aje girl is our forever muse.
AN: Ralph Lauren.
JR: Dinner spot?
EF: Dear Saint Eloise in Potts Point, Sydney.
AN: Berts in Sydney.
JR: Collection you’ve designed?
EF: Our Resort 18/19 collection, where we had the pleasure of working within the archives of one of Australia's most prolific artists, Brett Whiteley.
AN: All of them.
JR: Artist or Designer? (other than Aje of course)
EF: Brett Whiteley, Joshua Yeldham, Jenny Topfer, Aida Tomesco, Tamara Dean, Chanel Tobler, Shannon Smith, Carol Crawford.
AN: Kandinsky.
When I think of Aje I think of effortless pieces that are feminine and playful and yet still strong- I always feel like myself when I’m wearing Aje. How do you find the perfect balance while designing these collections so that they are beautiful and strikingly unique but also wearable?
EF: That’s so beautiful to hear. The brand after twelve years has continued to evolve but our foundations, spirit and ethos has very much remained kindred, since the early days. There is a duality that we embrace, which I’ve always thought stems from the duality within Adrian and myself – both in business but as humans too. We love to explore the raw beauty, the tough with feminine, the perfect and imperfect in each collection. It’s all of these contrasts and contradictions which are at the heart of the brand.
JR: Aje has always drawn inspiration from the Australian landscape and homegrown talent, especially artists. What is the creative process behind choosing which artisan you would like to work with next? We have so many amazing talents here in Australia, it seems like it would be almost impossible to decide.
EF: For us, artistic collaborations feeds into design. Given Adrian’s background in art and my ongoing immersion in the arts as well as design, architecture, interiors…. we both love to uncover historical and emerging talent here at home and when travelling abroad.
We’ve worked with Chanel Tobler collaboratively for seasons now with her divine ceramic work featuring in our stores and showroom, as well as an upcoming collection. Chanel had also been working within my husband’s (photographer Felix Forest) Sydney studio for some time, so this felt very natural to continue weaving this tapestry. Laura Jade is a completely new and remarkable discovery; her work so compelling and ethereal, and closely attuned to how colour and mood are inextricably linked to the mind and biology.
How do you want someone to feel while wearing this collection?
EF: Chroma was designed to explore of the impact colour can have on humanity, so ultimately, we wanted to incite joy, positivity and beauty.
fill in the blank, ‘it’s __________ to be nice’
‘IT’S NATURAL TO BE NICE’- EDWINA FOREST
‘IT’S IMPORTANT TO BE NICE’- Adrian Norris
#itscooltobenice